The DFenders: An Analysis of the Studio Production Process

dc.contributor.advisor	Downes, Graeme
dc.contributor.advisor	Egenes, John
dc.contributor.author	Moskal, Adon
dc.date.copyright	2012
dc.identifier.citation	Moskal, A. (2012). The DFenders: An Analysis of the Studio Production Process (Thesis, Master of Music). University of Otago. Retrieved from http://hdl.handle.net/10523/2656	en
dc.identifier.uri	http://hdl.handle.net/10523/2656
dc.description.abstract	A brief discussion of recording concepts as proposed by composer/producer Brian Eno prefaces an in-depth examination of the recording techniques used to produce The DFenders, an album of original ‘Eighties-esque’ pop songs. Drawing on a number of notable pop/rock musicians from the Eighties, particularly New Wave artists, The DFenders utilises vintage equipment and recording techniques to produce a ‘retro’ pop album in the modern day recording studio.
dc.format.mimetype	application/pdf
dc.language.iso	en
dc.publisher	University of Otago
dc.rights	All items in OUR Archive are provided for private study and research purposes and are protected by copyright with all rights reserved unless otherwise indicated.
dc.subject	music
dc.subject	recording
dc.subject	studio
dc.title	The DFenders: An Analysis of the Studio Production Process
dc.type	Thesis
dc.language.rfc3066	en
thesis.degree.discipline	Music Department
thesis.degree.name	Master of Music
thesis.degree.grantor	University of Otago
thesis.degree.level	Masters
otago.openaccess	Open