Otago University Research Archive
Browsing Film and Media Studies by Date Added
Otago University Research Archive
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Browsing Film and Media Studies by Date Added
Now showing items 1-8 of 8
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(Thesis, Master of Arts, 2012)From the 1980s to the present, the American television industry has undergone many significant industrial and technological shifts which have enabled fundamental changes to the production and distribution of primetime ...
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(Thesis, Doctor of Philosophy, 2012)This thesis argues that in an age of brand identity and media governmentality, Brand New Zealand capitalizes on concepts of community, patriotism and nationhood to (re)frame Aotearoa New Zealand as a business enterprise, ...
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(Thesis, Master of Arts, 2012)This thesis argues that the slasher remake functions as a cumulative hypertext, incorporating content not only from the original film, but also the many sequels and intertexts that exist between original and remake. In ... -
(Thesis, Doctor of Philosophy, 2011)In this thesis I contribute a political reading of David Lynch’s films. To do so I employ a mode of ideological analysis that draws explicitly on the thinking of Fredric Jameson and in particular his conception of three ...
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(Thesis, Master of Arts, 2011)Monterey Pop (1968), Woodstock (1970), and Gimme Shelter (1970) are all examples of what has become known as the first wave of the rockumentary, nonfiction films that document rock musicians and musical events using the ... -
(Thesis, Doctor of Philosophy, 2011)Until two decades ago, pregnant bodies were absent from mainstream media types or presented primarily in a maternal context. Today, the pregnant body is ubiquitous across a broad spectrum of media forms, including Internet ...
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(Thesis, Doctor of Philosophy, 2011)This thesis analyses the way love is presented as the central storyline in cinema drawing upon genre studies and informed by sociology. It ultimately finds that there are two dominant Hollywood love stories: the first is ...
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(Thesis, Doctor of Philosophy, 2011)This thesis explores the influence of postfeminist culture on cinematic representations of female biographies. It does so by analysing four case studies of films that represent the lives of creative women who are established ...
Now showing items 1-8 of 8